You’re fired! If
you want to work, leave town.
Executive Director’s Message
John
Haer, Executive Director
That’s the ugly reality
broadcast talent face when, as is often the case, their stations decide to
replace them.
Unlike
most other labor agreements, union contracts in radio and TV seldom include
just cause termination language. Management can end an artist’s employment at
any time, whether there’s a good reason or not. Typically, “budget cuts”,
“format change”, or “a different direction” are the explanations voiced by the
stations. Even with a Personal Services Contract (PSC) - an individual
agreement providing pay and perks greater that the union minimum contract rates
- artists typically face reconsideration annually.
In
the top-rated AFTRA stations, most artists are signed to PSCs. Almost all PSCs
now contain a clause prohibiting the artist from working in any media job in
the same market for up to a year after employment at the station ends. This is
a non-compete covenant. In theory, it’s a negotiable item. In
practice, individual contracts are seldom signed by the stations without this
and other restrictive agreements.
Pittsburgh
AFTRA artists terminated from their stations and currently prohibited by
non-compete clauses from working in this market include John McIntire
(WPXI/PCNC-TV); Gary Dickson (WWSW-FM); Steve Woods (WDSY-FM); and John Welsh
(WDSY-FM).
The
stations argue that non-compete requirements are justified because they invest
in and promote the talent. They also claim top talent has access to
confidential and proprietary business information. If an artist was able to
immediately work for an in-market competitor, the station business would
suffer.
This
is poppycock. Many stations don’t really promote their talent. Even if they do,
to protect their investment, why not continue to employ the artist? And talent
is not management. Staff artists are usually the last to know business secrets.
The
fact is the stations want to have their cake and eat it, too. They may not want
to employ you, but they don’t want their competitors to employ you either. Even
if they want you, they only want you for less. At the end of the term of a PSC,
stations often threaten pay cuts knowing that the artist must leave town to
work if he or she doesn’t agree.
AFTRA
asserts that non-compete covenants in broadcasting are a grossly unfair
limitation on free trade and commerce. We believe non-competes only serve to
give station management leverage to depress the bargaining power of our
members.
That’s
why AFTRA and our allies have led legislative movements to outlaw non-compete
provisions in states across the country. In the last three years, non-competes
in broadcasting have been banned in Illinois, Arizona,
and the District
of Columbia.
California, Massachusetts, Nebraska, and Maine also prohibit these
restrictive covenants.
We
need such a bill in Pennsylvania. And we’re working to get
one as soon as possible. Want to lend a hand? Call the office to see how you
can help.